Audio first, not audio last
Most tools generate video and bolt on a voice. We inverted that, because the voice and the mix are what make a faceless reel worth finishing.
ReelsAudio started because building an audience without appearing on camera is possible, but the tooling assumed you would appear. We built the opposite.
The founder spent a year hand-editing a faceless history channel. Every episode took six to eight hours of scripting, recording, cutting and captioning, most of it spent on work that was identical every time.
The scripts were reusable. The voice was reusable. The music bed was reusable. The only part that genuinely changed per episode was the story. So the tooling should have treated everything else as the default.
What we found instead were tools that generated video and then bolted on a generic narration track, optimising for the part of the pipeline that was already easy.
Four positions that decide what we build and what we refuse to build.
Most tools generate video and bolt on a voice. We inverted that, because the voice and the mix are what make a faceless reel worth finishing.
Every capability claim on this site describes something the product actually does. We would rather look smaller than get caught overstating.
Commercial licensing ships with every plan, not as a paid upgrade. A creator should never have to choose between monetising and not getting claimed.
The product exists so people can build an audience without appearing. We do not push creators toward being the face of the brand.
Fourteen people across three countries. Six of us are here.
Sabarish Kumar
Founder and engineering
Built the first renderer as a weekend project to stop hand-editing his own channel.
Chennai, India
Anita Rajan
Audio engineering
Spent six years in broadcast mix before moving to product. Owns the mastering chain.
Chennai, India
Marcus Feld
Design
Responsible for the waveform language that runs through the whole product.
Berlin, Germany
Dana Okafor
Creator success
Runs the beta cohort. Reads every retention report the team publishes.
Lagos, Nigeria
Tomas Lindqvist
Platform integrations
Keeps the publishing side working when the platforms change things without warning.
Stockholm, Sweden
Priya Nair
Content policy and trust
Wrote the content policy and handles every rights question that arrives.
Bengaluru, India
We are hiring across audio, engineering and creator support. Remote-first, four roles open.